Portland Public Library’s Journaling group meets every 3rd Wednesday of the month, at 5:30, in the Portland Room. For July’s gathering we decided to meet at the Henry Wadsworth Longfellow Garden, thanks to our wonderful neighbors at Maine Historical Society. (For the August 16th meeting, we’ll be back in the Portland Room, at 5:30.) One of our popular journaling prompts, to get the writing wheels turning, is something we call “write where you are.” We began the summer evening by seating ourselves in different parts of the garden, which offers plenty of nooks and perches. After 12 minutes, we gathered and read aloud what we came up with. Most of our participants sent in their choice excerpts from the exercise, and here they are:
“There are two trellises in front of the brick wall. They appear to be window frames but when one looks through them there is only the bricks. Windows to nowhere. This seems absurd just like the artist who painted ‘This is not a pipe.’ This is not a window.
Some people have windows that have nothing to see when peered out of. Others have windows that showcase spectacular views. Are they always appreciative of the view or does its ability to enthrall wane over time. The human mind enjoys variety. After a certain amount of time it is not aware of what is right in front of it. If sticky notes become ubiquitous the mind ignores them, searching for some fresh perspective to alight on.”
“The pathway of flagstone steps leads up and around through yellow day lilies and ferns. A birdbath sits at the top of the path but no birds are bathing at this moment though their song can be heard from where they perch on branches overhead.”
“A stream comes from lion’s mouth,
The stream hits the water beneath,
Every tree is different,
Dressed leaves or pods.
Some trees stretch their arms towards the sky.”
– Karen P.
“The living brick,
the wind in brick,
Tree stirred to swimming shadow
on the once-dead wall.”
“Colorless sky, unconvincing siren, sea gulls sound their own alarm. A tiny ant makes its way across the sea of bricks, passing by another ant. Writers return to their seats.”
“A stone lion always running his mouth, but forever in one place. This place, with black, iron benches forged with designs of grapes, not of wrath, but of respect for one’s solitude.”. In case someone has submitted a line referencing the lion or the grapes, and you do not wish the collaboration to fall redundant, here is another: “The garden is dressed head to toe in brick, but hidden within a concrete jungle.”
“They are red, purple
Staring up at the sky
waiting to be noticed
Planted to stay
but free to climb
They change the
Of the green landscape.”
“Writers are spread around the garden, surely pleasing Henry’s spirits! At the height of summer, the tress; verdant drapery are at their densest, and earthen aromas of boxwood waft with the breezes. All of this is situated right at the center of the city, and few have any idea this is here, along the busiest street in this state. But on scratch and scribe the writers in Hank’s back yard, scribbling with the seagulls and garden beetles.”– Abraham
(Items from the Library, about the Longfellow Garden!)
Visit the new art exhibit in our Lewis Gallery, something special for the Library’s 150th anniversary! We are very proud of this show, Now & Then: PPL’s Collection Reconfigured, a side-by-side exhibit of items from the Library’s own art collection and archives next to new pieces created by 11 local artists in response. These artists toured over 150 prints, paintings, sculptures, and historic documents to select their partner piece.
Our theme for this illustrious 150th year is the significance of our past, and our ongoing impact into the shared strength and riches of our community now and into the future. This show includes art that tells how the Portland Public Library was founded just 6 months after the terrible fire that destroyed Portland in 1866, and the Public Library emerged as one of the “greatest wants” in the community, decades before other great cities including New York and Philadelphia had theirs.
Now and Then Art Exhibit
From 19th-century portraits of Portland’s preeminent philanthropists to Victorian Era fashion books, from age worn maps to grand oil paintings of seascapes, the artists of Now & Then have taken a variety of pieces, applied their creative lens, and generated new works that reimagine their historic, artistic, and cultural impact. To make any librarian proud, many of the artists also researched the history and cultural significance of the original pieces to further inspire their work.
Now & Then includes artists Kenny Cole, Ellen Gutekunst, Séan Alonzo Harris, Larry Hayden, Alison Hildreth, Devon Kelley-Yurdin, Mike Marks, Mitchell Rasor, and Julie Poitras Santos. The exhibit posters were designed and printed by Pickwick Press artists Pilar Nadal and Rachel Kobasa.
We are thrilled to display these Library gems which continue to inspire imagination and new stories, as told through the talents of these wonderful artists. Special thanks to our sponsors People’s United Bank for making this exhibit possible. The Now & Then exhibit is on view until July 22, 2017.
Keep an eye out for our other anniversary activities including My Card, My Story for you to tell us your library story right now! #PPL150 #PPLcelebrates
The Little Water Girl. Essay contributed by Portland author Cliff Gallant.
When the renovations to the Portland Public Library were newly completed, I noticed an elderly woman standing in the foyer quietly contemplating the Little Water Girl sculpture, and as I passed by the woman, I heard her whisper the word “precious” to herself. I’m rather fond of the piece myself, so I glanced over caught the woman’s eye and gave her a little smile. She brightened up, took a step towards me, and began to say something, as if she had to tell someone what she was feeling, but instead she just laid her hand on my arm and sighed, as if whatever she said just wouldn’t be enough.
The piece depicts a young girl holding out a cup of cold water to passersby, with the overflowing water falling into a trough at her feet for horses to drink out of. Two wide steps are carved out of the left side of the granite base as an invitation to people to ascend and drink from the cup, and in the rear right corner of the base is a small basin carved out of the granite for birds and dogs to drink from. A most fitting memorial to the woman to whom the sculpture is dedicated, Mrs. M.N. Stevens, of Portland, who was known, as a young girl, and all through her life, for her great love and compassion for her fellow human beings and for all living things.
Lillian Stevens, who was born in 1844 in Dover-Foxcroft as Lillian Ames, was the third national president of the Woman’s Christian Temperance Union, from 1898 to when she died, in 1914, and the Little Water Girl sculpture was given to the City of Portland by the national organization in her honor in 1917. The original sculpture, from which copies were made, was commissioned by the WCTU and created in 1893 by sculptor George E. Wade in his studio in London, England, for the Columbia Exhibition in Jackson Park, Chicago. At the time, the WCTU was involved in a program to place public drinking fountains in cities around the world for the purpose of providing people with “pure drinking water, as an alternative to liquor”, and Little Water Girl sculptures were placed in Chicago, Detroit, and London, England, as well as in Portland.
Although the inscription on the bronze plaque on the base of the Portland piece, which was designed by Portland Architect Frederick Thompson, refers only to her work with the WCTU, Lillian Stevens devoted herself to a wide variety of other humanitarian causes as well, particularly with regards to women’s rights and the welfare of children, and that work stands as her greatest legacy to future generations.
The first “safe house” in the country for abused women and children was founded in Portland, through the efforts of Lillian Stevens. The Temporary Home for Women and Children she founded here served as a model for such institutions nationally and around the world. The coming into being of such institutions was a sign of the new-found recognition that women and children have rights that protect them from abuse by violent husbands and fathers. Only when Lillian Stevens began to question long-standing convention and take appropriate action did desperately needed change begin to occur.
Prison reform, especially with regards to incarcerated women, was another of Lillian Stevens’ passions. In her time there weren’t separate prison for men and women and she saw the great danger to women inherent in that. In a most fitting tribute to the reforms she brought about, when the Maine State Reformatory for Women was established in Hallowell, the first building was named Stevens School in her honor, and is today the main building of Stevens Commons, a mixed-use community center.
Lillian Stevens’ compassion and reform efforts also extended to the welfare of animals. She was especially grieved by the cruel treatment that horses were subject to at a time when they were commonly regarded as beasts of burden unable to feel pain or discomfort. The prevalent belief was that horses, like all other animals, were insentient beings put on this earth to serve man, whether for work or pleasure. Just before Lillian Steven’s passing she was, most fittingly, presented with the highest lifetime achievement award accorded by the Society for the Prevention of Cruelty to Animals.
The Little Water Girl sat in Congress Square from 1917 to 1928, directly across High Street from where the Union Station clock sits today. The piece was well utilized there as a drinking fountain by passersby, as well as a watering trough for horses and a place where dogs and birds could also get a drink, but with the coming of the automobile and the faster pace of life it brought, The Little Water Girl was moved to Deering Oaks, where it sat until the 1940’s, when it was placed in storage after having been vandalized. Repaired and returned to Deering Oaks in 1961, where it remained until 1979, when it was moved to the courtyard of the Portland Public Library. With the renovation of the library in 2010, the piece was moved to its present location in the foyer, where it sits as the gem of the city’s public art collection.
Yes, the woman was right, “precious” it is.
For more about artworks on display at the Library: Art @ PPL