On the planet Ygam, the dominant species is a race of blue giants called the Draags. Among the species they dominate are the Oms, humanoid creatures believed to be incapable of rational thought. When a pet Om named Terr gets his hands on his owner’s telepathic educational device, he runs away with it and joins a group of rebellious Oms who use the information to plan their escape to the Wild Planet.
This film was among the first animation made for adults in the early 70s, a collaboration between French and Czech filmmakers, and it is a beautiful example of pre-CGI animation, with a political message as relevant today as it was in 1973.
This edition is one of the latest releases from the Criterion Collection, and extras on the disc include an interview with filmmaker Roland Topor and a documentary about filmmaker Rene Laloux, as well as two short films on which they collaborated–Les temps morts (1965) and Les Escargots (1966.) There is also the option for an English language soundtrack.
For a list of other science fiction titles, click here.
For other recommended World Language films, click here.
We’ve noticed that the library is just chock full of stories built upon stories. Books become films. Comic books become films. Films become films. Also: fairy tales are fractured, classics are reborn, characters evolve, one story inspires another wholly new. At worst, the old made new is a little awful, and leaves us wistful for the original. At the very best, though, remakes and reworkings offer bold and creative new worlds at play with the old. Our July staff picks explore the idea of everything old made new again.
Case study: The Haunting of Hill House. Shirley Jackson’s unsettling novel was made into the 1963 black-and-white film The Haunting, in which super-scary wallpaper (uh-huh) and terrifying sound effects psychologically mangled me every Halloween of my childhood. So good! Then The Haunting was remade with cheesy CGI (no subtlety = no fear) in 1999. I felt an incredible sense of loss and dismay. Would anyone ever know how great the original film remake of the original book was?
Which brings us to July 2016…as Ghostbusters just became Ghostbusters! I’m looking forward to catching this newest of remakes this week. I’m sure it won’t be as scary as The Haunting, but I bet the blazing comic talent of Leslie Jones, Melissa McCarthy, Kristen Wiig, and Kate McKinnon will truly shine. Like ectoplasm.
The Lunar Chronicles by Marissa Meyer – Science fiction meets classic fairy tales in clever ways. One of my favorite YA series of the past five years (and I’m not alone); if you haven’t read these yet, you’re in for hours of addictive adventure, romance, and one seriously evil queen.
Wildwood Dancing by Juliet Marillier – the Twelve Dancing Princesses has been my favorite fairy tale since childhood, and this adaptation is just lovely inside and out. It’s clear from the sweeping text to the glossary in the back that the author did some serious research into Transylvanian folk tales and customs. A classic.
Howl’s Moving Castle – Diana Wynne Jones (book), Hayao Miyazaki (film) and a dreamy, brooding wizard voiced by Christian Bale. This adaptation sure has my number.
Old-fashioned as this choice may be, my picks for a book-and-film-original-and-remake-duo are the lovely and irrepressible A Room with a ViewandA Room With A View (the Merchant Ivory version) which both make me beam, whether I am re-reading or re-watching. Forster’s heartwarming chapter titles show up in the book (of course), but also helpfully turn up onscreen in the film as the scenes change. Chapter 13: How Miss Bartlett’s Boiler Was So Tiresome. Chapter 14: How Lucy Faced the External Situation Bravely. Chapter 15: The Disaster Within. In the film, you also get to see George climb up a tree in Italy and shout “Beauty! Life! Poeeetrry!” in a deeply beautiful and silly and life-affirming scene, while Daniel Day-Lewis is wonderful as a mustachioed and stuffy Cecil. Poor Cecil.
Back to the book. In one of the best chapters in literature (Chapter 19: Lying to Mr. Emerson), you really get to sink into Mr. Emerson’s sweet advice to Lucy Honeychurch as she’s trying to sort out her life and her heart. I would quote his kindhearted wisdom here, except it’s scattered over eighteen pages. It has to do with not getting stuck in a terrible muddle, making the wrong choice, and ruining your life. You should read it, because the whole scene is much better in the original: the book. (But how nice it is to have to choose between the good movie and the good book).
Hamlet on Harleys
It may not fit the quiet, thoughtful librarian stereotype to admit this: I love the FX show Sons of Anarchy. It is loud and filled with mayhem, but man… is it good! So good. The acting is spot on and the story line is intense (to say the least).
Here’s the twist: SoA is based on Shakespeare’s Hamlet. Show creator Kurt Sutter has admitted it is not a version of Hamlet, but it is definitely influenced by it. “I don’t want to overplay that but it’s there. It was Jax’s father who started the club, so he’s the ghost in the action. You wonder what he would have made of the way it turned out.”
The show includes a discontented prince (Jax), a treacherous stepfather and an honorable dead father whose voice we hear guiding Jax throughout the series. There are further theme similarities regarding external symbols vs. internal truth. Numerous episode titles refer to Hamlet including Burnt and Purged Away, To Be, Act 1, and To Thine Own Self.
So for the more erudite library users, you can feel A-OK about binging on the tales of this outlaw motorcycle club because it is based on the Bard, after all.
When you finish, get back to me on which character you think best exemplifies Ophelia.
It seems as if Hollywood spends a considerable amount of time remaking perfectly good shows and films. Such as Broadchurch, a British miniseries starring David Tennant. I didn’t watch the US remake, Gracepoint, starring David Tennant (see what they did there?) because I wasn’t too keen on the original. Aside from television, Hollywood just can’t seem to come up with original blockbusters (that aren’t based on comic book heroes).
A few years ago, my uncle (a PI turned nurse) told me of this fantastic movie based on the life of Boston gangster Whitey Bulger.
“Martin Scorsese is a GENIUS!” he shouted. “Martin Scorsese is a thief,” I retorted. The Departed, by all accounts, is actually a decent movie. However, it is not a work of genius. It is almost a shot for shot remake of the brilliant Chinese movie Infernal Affairs starring Andy Lau. Any implication that this is the story of Whitey Bulger’s life is purely coincidence. A few weeks after our initial conversation, my uncle and I sat down and watched Infernal Affairs. “Holy Cow! That’s a much better film,” he yelled with his thick Boston accent. I had finally won my argument.
Now I’m not saying, that Hollywood CAN’T make decent remakes. The Departed really is a great film. You just have to remember that it’s not original. I’m just saying: sometimes you really should see the original… Now just don’t get me started on the remake of The Wicker Man starring Nic Cage.
Rear Window and Planet of the Apes, Simpsons-style
Rear Window, the Hitchcock film starring Jimmy Stewart and Grace Kelly, was remade in 1998 as a TV movie starring Christopher Reeve as the wheelchair-bound hero. The movie was remade again in 2007 as Disturbia starring Shia LeBeouf as a young man under house arrest. My favorite remake was done by The Simpsons, in Season 6, Episode 1, titled “Bart of Darkness.”
The Simpsons have remade, referenced, or spoofed dozens (hundreds? thousands?) of stories (including the Ghostbusters) from classic and popular culture. Another favorite Simpsons remake is Planet of the Apes as a musical starring Troy McClure (Phil Hartman), featuring the lyrics, “I hate every ape I see/ From chimpan A to chimpan Z.”
As always, thanks for reading! For more suggestions from the PPL collections, check out our booklists for Adults, Kids and Families, and Teens.
On July 7, President Obama addressed a nation in mourning, saying in part, “If communities are mistrustful of the police, that makes those law enforcement officers who are doing a great job and are doing the right thing, it makes their lives harder. So when people say ‘Black Lives Matter,’ that doesn’t mean blue lives don’t matter; it just means all lives matter, but right now the big concern is the fact that the data shows [our emphasis added] black folks are more vulnerable to these kinds of incidents.”
The data shows.
Here are some data resources that connect you with data to better understand this multi-faceted, extremely important topic.
Criminal Justice Data / Government Issued
The Bureau of Justice Statistics maintains more than a dozen national data collections covering federal, state, and local law enforcement agencies and special topics in law enforcement. Most data collections are conducted every 2 to 4 years and focus on aggregate or agency-level responses, meaning the information that is collected pertains to units, such as police departments, training academies, and crime labs. Includes pages such as Use of Force.
The FBI maintains a page of Crime Statistics and data, along with special reports.
Criminal Justice Data / Other
There has been criticism by some, as outlined by this article from the Harvard School of Public Health, regarding the government’s collection of data regarding some criminal justice issues. As a result, other organizations have begun alternate means of collecting data.
The Washington Post has compiled a Fatal Force Statistics database with stats for both 2015 and 2016. They started the project in light of the events in Ferguson, MO, in 2014. They use news reports and other public records to compile the info, and this database only registers shootings, not other deaths by force between police officers and suspect.
Likewise, The Guardian created a database called The Counted. This database is similar to The Washington Post datasets but includes all suspects who were killed by police, whereas the Post database focuses on shootings.
Law Enforcement and Violence: The Divide between Black and White Americans is based on a survey conducted by The Associated Press-NORC Center for Public Affairs Research. This poll surveyed 1,223 adults, including 311 black adults, and was conducted online and by phone over two day in July 2015. The poll sample was drawn from NORC’s probability-based AmeriSpeak panel, which is designed to be representative of the U.S. population.
Opposing Viewpoints is a robust library resource that can be accessed with your PPL card. This online tools covers today’s most important social issues, such as criminal justice and race. Its informed, differing views present various sides of an issue and help researchers develop the confidence to draw their own valid conclusions.
PolitiFact, a fact-checking website, concluded in August 2014 that police kill more whites than blacks citing data from the Centers for Disease Control on fatal injuries by “legal intervention” from 1999 to 2011. Read more here and link to the sources cited. PolitiFact also notes that whites make up 63% of the US population, while blacks make up just 12%.
Maine.gov’s webpage on Crime in Maine houses records dating back to 1995. You can contact them directly for older information. Here you will find information on crime rates, arrest data, and data on assaults on police officers.
With your PPL card you can access the Maine Newsstand and retrieve articles from the Portland Press Herald, Bangor Daily News and other local papers back to the mid-90’s.
You can find all public documents (annual reports, media logs, arrest records) of the Portland Police Department here. These documents are in addition to the above links that cover Maine in general.
Demographic / Census Information:
To find general information on race, the US Census Bureau is a good place to look. You can search for the percentage of persons of various races (self-identified) in the US as a whole or in specific geographies. The Census can also connect you to data on economic status, education attainment, housing status, and much more.
*Please note it is always important to look at the methodology of data collection, how the data is presented, who is collecting the data etc.