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Lewis Gallery

Maine has a rich heritage of fiddling that encompasses Yankee, Franco-American, and, to a lesser extent, Irish-American cultures. The exhibit will explore and celebrate this heritage by bringing together a wide range of materials—photographs, printed and manuscript tunebooks, sound recordings, concert flyers, and dance cards—that document the Pine Tree State’s vibrant fiddling traditions. Maine has also been home to a surprising number of fiddle makers; researchers have identified close to 200 professional and amateur craftspeople in Maine who have made violins. Examples of the work of several of these are included in the exhibit.

Curators of the exhibit are Paul F. Wells, Director Emeritus of the Center for Popular Music at Middle Tennessee State University, and Tom Wilsbach, Arts Librarian at the Portland Public Library. Wilsbach and Wells are both fiddlers and fiddle researchers. The exhibit will hang through June and July. Associated events, including lectures and performances will take place during the exhibit’s run.

- See more at: http://www.portlandlibrary.com/events/wicked-good-fiddling-200-years-fiddling-fiddlers-fiddle-making-maine/#sthash.SsbaGJyE.dpuf

Maine has a rich heritage of fiddling that encompasses Yankee, Franco-American, and, to a lesser extent, Irish-American cultures. The exhibit will explore and celebrate this heritage by bringing together a wide range of materials—photographs, printed and manuscript tunebooks, sound recordings, concert flyers, and dance cards—that document the Pine Tree State’s vibrant fiddling traditions. Maine has also been home to a surprising number of fiddle makers; researchers have identified close to 200 professional and amateur craftspeople in Maine who have made violins. Examples of the work of several of these are included in the exhibit.

Curators of the exhibit are Paul F. Wells, Director Emeritus of the Center for Popular Music at Middle Tennessee State University, and Tom Wilsbach, Arts Librarian at the Portland Public Library. Wilsbach and Wells are both fiddlers and fiddle researchers. The exhibit will hang through June and July. Associated events, including lectures and performances will take place during the exhibit’s run.

- See more at: http://www.portlandlibrary.com/events/wicked-good-fiddling-200-years-fiddling-fiddlers-fiddle-making-maine/#sthash.01kwJmUH.dpu

July 3 – July 31, 2015

Traveling Gallery of the South American Intercontinental Biennial of Indigenous ArtsSMALL Una Familia Indígena (2)
This exhibit includes artwork from indigenous artists working in Bolivia, Brazil, Chile, Colombia, Egypt, Ecuador, Nicaragua, Panamá and Peru, showcasing traditional and contemporary art. Paintings by indigenous artists will be on display as well as sculptures. Working with indigenous artists from all over South America, The Indigenous School of the Arts Foundation – in Quito, Ecuador – has put together this exhibit to celebrate the vast traditions of these millennial cultures.

 

August 7 – Ssardine canneryeptember 28, 2015

Staying the Course: Working Women of Portland’s Waterfront
From war-time welders, fishermen’s wives, and net makers to fishpackers, pilots and boardinghouse keepers, Staying the Course explores the diverse roles and stories of the women involved in the maritime commerce of Portland from both historical and contemporary perspectives, and is a premier collaboration of Maine Maritime Museum and Osher Map Library.

More here.

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Lewis Gallery Exhibit Guidelines

The Lewis Gallery at Portland Public Library is a large and open gallery that has 75 feet of wall space, a soaring entry, track lighting, and great public visibility. Voted the Portland Phoenix’s Best Non-Gallery Art Space 2013, the Lewis Gallery is a space that attracts visitors and encourages public engagement with art.
click to enlarge

click to enlarge

If you are interested in exhibiting your work, please review our art exhibit guidelines and submit a proposal using the Lewis Gallery proposal form.

The Library’s Cultural Center Team reviews exhibit proposals on a quarterly basis and selects shows based on a goal of attaining a mix of mediums and content for the gallery. Submitting a proposal form does not ensure that a show will be hosted in the Lewis Gallery.